drawing by Tony Millionaire
Winnie Wong is an art historian with a special interest in fakes, forgeries, and counterfeits. Her work explores authorship, property, and likeness through interdisciplinary inquiry, while her research is animated by the global reach of artists in and from the cities of Hong Kong, Guangzhou, and Shenzhen. Winnie holds a S.M.Arch.S. and a Ph.D. from History, Theory + Criticism at MIT and she was elected a Junior Fellow of the Harvard Society of Fellows. She is currently Professor of Rhetoric at University of California, Berkeley.

She is the author of Van Gogh on Demand: China and the Readymade, awarded the Joseph Levenson Book Prize for the best book on modern China from the Association of Asian Studies in 2015. She is the co-editor of Learning from Shenzhen. Her forthcoming book is The Many Names of Anonymity: Portraitists of the Canton Trade.

Her research articles have appeared in Current Anthropology, Law & Literature, Future Anterior, positions: asia critiques, and Journal of Visual Culture, and she has written essays on art for Artforum, Critical Times, M+ Museum of Visual Culture, MMK Frankfurt, Asian Art Museum SF, Art Gallery of Ontario, and Karma Books. Her work has been translated into German, Portuguese, Romanian, Chinese, and Japanese. Her research has been supported with grants from the Mellon Foundation, ACLS, SSRC, CLIR, Henry Luce Foundation, Harvard Milton Fund, and Radcliffe Institute for Advanced Study.黄韻然是加州大学柏克莱分校修辞系教授。她是一位對贗品、作偽、複製有著特殊興趣的藝術史學者。她的跨學科研究探討作者性質、產權與肖像創作的問題，而其作品啟發自香港、廣州和深圳等城市的藝術家，以及他們在全球範圍的影響。在獲得麻省理工學院建築系藝術史博士學位之後，黃韻然當選為哈佛大學青年學人學會青年院士。她著有《梵高訂單：中國和現成品》，於2014年出版並榮獲2015年列文森圖書獎。在2017年出版的《向深圳學習》中，她擔任聯合編輯。她將於2025年出版新書《多名以無名: 十三行的肖像师》。
design by Clara Li, logotype by Ting-An Ho